| Ella Mae Morse | |
|---|---|
| Born | September 12, 1924 Mansfield, Texas, United States |
| Died | October 16, 1999 (aged 75) Bullhead City, Arizona, United States |
| Genres | Popular music, jump blues |
| Occupations | Singer |
| Years active | 1940s–1990s |
| Labels | Various |
Ella Mae Morse (September 12, 1924 – October 16, 1999),[1] was an American popular singer. Morse blended jazz, country, pop, and R&B.
Contents |
Morse was born in Mansfield, Texas, United States. She was hired by Jimmy Dorsey when she was 14 years old. Dorsey believed she was 19, and when he was informed by the school board that he was now responsible for her care, he fired her.[1] In 1942, at the age of 17, she joined Freddie Slack's band, with whom in the same year she recorded "Cow Cow Boogie", Capitol Records' first gold single.[1] "Mr. Five by Five" was also recorded by Morse with Slack,[2] and they had a hit recording with the song in 1942 (Capitol 115). She also originated the wartime hit "Milkman, Keep Those Bottles Quiet", which was later popularized by Nancy Walker in the film, Broadway Rhythm.
In 1943, Morse began to record solo. She reached #1 in the R&B chart with "Shoo-Shoo Baby" in December for two weeks. In the same year she performed "Cow Cow Boogie" in the film Reveille with Beverly and starred in Universal's South of Dixie and The Ghost Catchers with Olsen and Johnson and How Do You Dooo? with radio's Mad Russian, Bert Gordon. She sang in a wide variety of styles, and she had hits on both the U.S. pop and rhythm and blues charts. However, she never received the popularity of a major star because her versatility prevented her from being placed into any one category of music.[1]
The song "Love Me or Leave Me" as recorded by Morse was released by Capitol Records as catalog number 1922,[3] with the flip side "Blacksmith Blues," which became her biggest hit.
In 1946, "House of Blue Lights" by Freddie Slack and Morse, (written by Slack and Raye) saw them perform what was one of many of Raye's songs picked up by black R&B artists.[4][5] Her biggest solo success was "Blacksmith Blues" in 1952, which sold over one million copies, and was awarded a gold disc.[6] The same year her version of "Down the Road a Piece" appeared on Capitol with Slack again on piano accompaniment. Morse also recorded a version of "Oakie Boogie" for Capitol which reached #23 in 1952.[7] Her version was one of the first songs arranged by Nelson Riddle.[8]
Morse ceased recording in 1957, but continued performing until the early 1990s at such clubs as Michael's Pub in New York,[9] Ye Little Club in Beverly Hills, the Hollywood Roosevelt Hotel's Cinegrill and the Vine St. Bar and Grill. She appeared regularly at Disneyland for several years with the Ray McKinley Orchestra, and did a successful tour of Australia shortly before her final illness.
Her music career was profiled in Nick Tosches' 1984 book, The Unsung Heroes of Rock 'N' Roll: The Birth of Rock in the Wild Years Before Elvis. She has a star on the Hollywood Walk of Fame at 1724 Vine Street. Her entire recorded body of work was issued in a deluxe box set by Bear Family Records.
As Morse's musical style blended jazz, blues, and country, she has sometimes been called the first rock 'n' roll singer. A good example is her 1942 recording of the song "Get On Board, Little Chillun", which, with strong gospel, blues, boogie, and jive sounds as a genuine precursor to the later rockabilly/ rock 'n roll songs[10]. Her records sold well to both Caucasian and African-American audiences. As she was not well known at the time of her first solo hits, many people assumed she was black because of her 'hip' vocal style and choice of material.[11]
Morse had six children from two marriages, as well as several grandchildren and great-grandchildren, and an estranged sister named Flo Handy, who was also a singer.
In 1999 Morse died of respiratory failure in Bullhead City, Arizona, aged 75.[1]
| Year | Single | US Chart position | label | catalog # |
|---|---|---|---|---|
| 1942 | "Cow Cow Boogie" | 9[11] | Capitol | 102 [12] |
| "Mr. Five by Five" | 10[11] | Capitol | 115[12] | |
| 1943 | "Get On Board Little Chillun" | 17 (R&B)[11] | Capitol | 133[12] |
| "Shoo Shoo Baby" | 4[13] | Capitol | 143[12] | |
| 1944 | "No Love, No Nothin’" | 4[13] | Capitol | 143[12] |
| "Tess' Torch Song" | 11[13] | Capitol | 151[12] | |
| "Milkman, Keep Those Bottles Quiet" | 7[13] | Capitol | 151[12] | |
| "The Patty Cake Man" | 10[13] | Capitol | 163[12] | |
| 1945 | "Captain Kidd" | 17[13] | Capitol | 193[12] |
| 1946 | "Buzz Me" | 15[13] | Capitol | 226[12] |
| "The House of Blue Lights" | 8 (R&B) [14] | Capitol | 251[12] | |
| 1952 | "The Blacksmith Blues" | 3[13] | Capitol | 1922[15] |
| "Oakie Boogie" | 23[13] | Capitol | 2072[16] | |
| 1953 | "40 Cups of Coffee" | 26[13] | Capitol | 2539[17] |
It is sometimes erroneously reported that Morse recorded with Bill Haley & His Comets in the 1950s. This is not true, although she did record versions of songs also recorded by Haley such as "Razzle-Dazzle" and "Forty Cups of Coffee".